Written music from the Renaissance suggests that the instrumental repertory-that is, the types of music performed on instruments-remained much the same throughout the period. Music historians have used surviving pieces of sheet music, as well as other sources, to learn about the different forms and styles of instrumental music played during the Renaissance.
However, there is ample evidence that highly skilled musicians played a wide variety of instruments throughout the period. In fact, almost no written instrumental music exists from before 1500. From 2009, he is Artistic Director and conductor of the National Choir of CEI (Italian Episcopal Conference).During the Renaissance, more music was composed for voices than for instruments.
#Instrumenta vocalia rome professional
Since 2014, he has conducted the Gesualdo Consort of Gesualdo, a professional vocal quintet, specialized in early music. Berrini is also the founding Artistic Director of the Chamber Choir of the Conservatorio Antonio Vivaldi in Alessandria, Italy, and the Artistic Director of Vocalia Consort in Rome, of whom he’s been a guest conductor since 2009. From 1989 to 1992 he was Deputy Director of the RAI (Italian National Broadcasting Network) Chamber Choir in Rome, with whom he made recordings for RAI Radio-3. He conducts professional orchestras with and without choir, in symphonic and choral-symphonic repertoire: with choirs and vocal ensembles, he has been recognized for his outstanding recordings, in early and contemporary music, some of which are first world recordings. He regularly sits as a jury member for various national and international choir competitions. He edits choral scores for several publishers, including Suvini Zerboni, Carrara, Rugginenti, Discantica, Carisch and BMM. Since 2009, he has also been the Artistic Director of the Milan Choral Academy, a unique international training program for choir directors and singers. He also presented workshops at the XVI and XVIII Europa Cantat, for A.DI.CO.RA (Argentine National Association of Choral Directors), for whom he conducted the Co.Na.Jo (National Young Choir, 2008), the XXIII Encuentro Coral (Málaga, Spain) and the Vox Mirabilis workshops (Vélez-Málaga, Spain). In 2013, he worked as choirmaster at the Carlo Felice Opera Theatre in Genoa. Berrini has worked in major festivals and concert seasons throughout Italy, as well as in Portugal, France, Germany, Switzerland, Austria, Israel and the United Arab Emirates. Since 1988, Ars Cantica has won numerous prizes in both national and international competitions (1st prize at the National and International Arezzo Choral Competition and Grand Prix Guido d’Arezzo, in 2003), and has participated in major national and international festivals. He is the founding Artistic Director of the professional vocal ensemble Ars Cantica Choir & Consort. Currently a professor of choral music at the Conservatorio Antonio Vivaldi in Alessandria, his conducting includes the direction of vocal ensembles and choirs with and without instruments and orchestra. He graduated from the Conservatorio Giuseppe Verdi in Milan, where he studied piano, conducting, composition and musicology. A conductor and music educator, Marco Berrini is one of the most active choral directors in Italy today.
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